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Buffalo is one of my favorite cities, with its amazing architectural history, telescope houses, and activist culture.

Earlier this summer, I returned to France to continue working on my Hauts-de-France Mining Basin project and to present at a conference about resilience strategies. While there, I photographed throughout the region, including at high-profile coal mine redevelopment sites.

I was in Los Angeles for a couple of days last week to screen The Area at the Urban Affairs Association annual meeting and then prepare for our screening at the Echo Park Film Center. I didn’t have much time to make new work, but I was able to set aside a couple of hours to get out into the city.

The beginning of 2019 has been full of photographic and film events, but I'd like to pause and share details from my three exhibitions in Milwaukee, Indianapolis, and Chicago.

After years of steadily developing several long-term projects, 2018 was the year many of them dramatically changed. The Area is out in the world; my Hauts-de-France work is exhibiting; so many other projects are evolving. With those big changes in mind, here's a recap of my work on major projects in 2018, a few highlights from smaller projects, and a little looking ahead to 2019.

The American Sociological Association held its annual meeting in Philadelphia, Pennsylvania this year, and I was excited to return. I spent a lot of time in Philadelphia in the 1990s and early 2000s and was surprised to figure out that the last time I'd been in the city was 2009.

Belfast, Northern Ireland's Troubles are discussed in the past tense. After all, 2018 is the 20th anniversary of the signing of the Good Friday Agreement, and the open war that left more than 3,500 people dead has drawn to a close. But the peace building process is a long one, and commitment to peace is not universal.
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