After filling 2010 and 2011 with travel, I changed gears in 2012 to spend most of the year in Chicago working on two local projects.
The first was the Richard H. Driehaus Foundation supported To be Demolished series, in which I photographed 100 buildings threatened with demolition throughout the city. Among my goals for the project was to get a sense of the range of buildings lost, from minor buildings receiving no public attention to those in the limelight. The full series is viewable on Gapers Block, and you can read more about it in this column by Mary Schmich.
The second Chicago project was the simultaneous undertaking of my dissertation and a documentary film about a group of South Side Chicago residents who are being displaced. I will be posting more about that work within a month; in the meantime, here are a few frames from the film. Update: The film is now online, and I’ve included it above the screenshots.
While the local initiatives kept me busy, I still found time to extend projects in Belfast, Northern Ireland and nine other U.S. cities. I visited Belfast to continue documenting the activities of Eleventh Night and The Twelfth, and most of the U.S. visits were structured around wrapping up the fieldwork component of my collaborative effort with Michael Carriere, which I’ve previously mentioned on the blog and was written up in The Atlantic Cities.
Below I present a selection of photographs from most of those cities, alongside a few more from the Chicago area.
Elsewhere in the Chicago Region
Belfast, Northern Ireland
Buffalo, New York
Chama, New Mexico
I recently visited Belfast, Northern Ireland to continue documentation of Eleventh Night and The Twelfth, two controversial holidays during which Protestant Loyalists build massive bonfires and parade through city streets. While Loyalists describe the events as “family friendly” cultural activities, doing so ignores their role as expressions of Protestant political power and steadfast support for Northern Ireland’s membership in the United Kingdom. Given Belfast’s ongoing conflict between the Loyalists and the Catholic Republicans who desire a politically united Ireland, the holiday activities operate as claims over the contested city.
While the political nature of the parades is somewhat buried in historical references on banners and the often unspoken lyrics of flute band songs, the bonfires unambiguously express political perspectives. Viewers need not know that the stacked pallet and tire bonfires are references to a 17th century Protestant victory over Catholics to know the political and religious stakes. In most communities, political allegiances are boldly proclaimed through flags, whether through the nearly ubiquitous flying of the Union Jack or the burning of the Irish Republic’s Tricolor, as well as through political slogans such as “KAT” (shorthand for “Kill All Taigs” [Derogatory slang for Irish Catholics]) in more aggressive districts.
As the Troubles fade and the reconciliation process continues, the City Council is attempting to facilitate a transition to a new Eleventh Night model by offering financial incentives to burn wood chip beacons in recognition of the historical victory without burning of flags and tires. Still, most Loyalist communities rebuff the subsidies not only because the beacons are fast burning and less visually stunning but because they fear loss of the tradition and the already waning youth interest in bonfire construction — and, ultimately, the political conflict in general. These communities’ perspective on the issue can be summed up by one 2012 bonfire banner: “Culture Above Cash.” When put in context, the banner could just as easily read “Politics Above Cash.”
The following bonfire photographs are selections from my recent work in Northern Ireland. I will be updating my Belfast series page with some of these images shortly. Many additional images may be viewed on flickr.
There’s no question that 2010 was an unprecedented year for my fieldwork. In addition to many Chicago area opportunities, I visited nearly two dozen major U.S. cities and had the opportunity to spend time in Belfast, Northern Ireland during Twelfth Night. Each location allowed for several days in the field, so I’ve amassed quite a collection of photographs.
As a way of getting a handle on that work, I pulled out one favorite photograph from many of the locations I visited. A few were exhibited in my recent work shows at the Op Shop and Everyblock, as well as the “Considering the City” show at Work • Detroit, but one would have to consistently follow my flickr stream to see all of these images — so I thought I should share them here.
Belfast, Northern Ireland
Las Vegas, Nevada
New Orleans, Louisiana
New York City, New York
San Francisco, California
As both a sociologist and a photographer, it’s hard not to think a lot about observation. While I haven’t systematically addressed the topic, I have been slowly acquiring photographs of people quietly focusing their attention on a clear subject when I’m out in the world doing the same thing. I’m particularly intrigued by the relationship between the internal and external action in the scenes. I’ve included a few of those images below.
From July 10-14, I explored Belfast, Northern Ireland with Brian Ashby, Ben Kolak and some extremely helpful Belfast residents.
The weekend is particularly important to the region because of The Twelfth. The Twelfth is a day during which members of the Orange Order, composed of Northern Ireland’s Unionist Protestant population, march throughout the city to celebrate a historical Protestant victory over Catholics (and to achieve some contemporary objectives). Most controversially, they march through the city’s Republican Catholic neighborhoods in that spirit of victory. As one might expect, the marches are not received well in those neighborhoods, particularly given centuries of conflict and the more recent Troubles. As of July 15, riots continue.
The Twelfth is typically preceded by Eleventh Night, on which Unionist Protestants ignite massive bonfires throughout the city for historical and (as is clear in this photo set) very contemporary political reasons. Because the Eleventh Night fell on a Sunday this year, the bonfires were not lit until midnight on the Twelfth. As such, the marches were held just a few hours after the bonfires died down.
I’ve tried to set those events against a backdrop of the physical elements of Belfast that reflect the city’s often starkly segregated social landscape.
A selection of images are below, and you may also see additional images on my official Belfast series page or an unedited selection on flickr.