Tagged: Belfast

Old Projects, New Phases

After years of steadily developing several long-term projects, 2018 was the year many of them dramatically changed. The Area is out in the world; my Hauts-de-France work is exhibiting; so many other projects are evolving. With those big changes in mind, here’s a recap of my work on major projects in 2018, a few highlights from smaller projects, and a little looking ahead to 2019.

The Area Film

After six years of work, The Area is screening. Since premiering at the Full Frame Film Festival in April and making its Chicago premiere at the Black Harvest Film Festival in August, we’ve been busy screening the film with an amazing set of partners, including the Metropolitan Planning Council, the Museum of Contemporary Photography, the National Public Housing Museum, universities, community organizing groups, and the Gene Siskel Film Center. To learn more about screenings, news, and requesting a screening, visit The Area’s website.

At the Black Harvest Film Festival

Black Harvest Film Festival Black Harvest Film Festival
Full Frame Film Festival Black Harvest Film Festival

Hauts-de-France Mining Basin and the Resilient Images Residency

Following a preview at Expo Chicago and multiple exhibitions in France in 2017, my Resilient Images work had its full exhibition at the Hyde Park Art Center in 2018. In June, a subset of the project returned to France for exhibition during the national urban planning conference RDV avec la Ville. I made some new work during the June visit, so I’m not quite ready to call the project complete, but I’m pleased with it and where it’s going.

Installation of Hauts-de-France Mining Basin

Cité Werth à Denain

Bean Creek in Indianapolis, Indiana

Over the last few years, I’ve been steadily developing a project in Indianapolis with support from Big Car. I tightened the work in 2018 by emphasizing how the south side neighborhood has evolved with small creek that winds through the community. The first exhibition from that residency will appear at the Tube Factory Art Space next year. The show focuses on the relationship between people and place, and puts the Bean Creek work in dialogue with my projects in The Area and Hauts-de-France. More information about the exhibition is on facebook.

Bean Creek

With a Stray Dog Strike Fear or Get Struck

Urban Farming in Milwaukee, Wisconsin

The national placemaking project Michael Carriere and I started back in 2009 is shifting from research to public engagement, with a second exhibition prepared and the book moving towards publication. In January, our exhibition Growing Place: A Visual Study of Urban Farming is opening at the Grohmann Art Museum, which situates Milwaukee’s contemporary urban farming movement in its history, drawing from archival photographs, documents, and contemporary artifacts. I’m especially excited about the programing we’re scheduling, including events with the Walnut Way Conservation Corps, Will Allen, and others. More details forthcoming!

Urban Farm Aerial

Hmong Farmer at Fondy Market

Belfast, Northern Ireland

As I wrote earlier in the year, I made my fourth visit to Belfast, Northern Ireland in July to continue documenting the changing experience of Eleventh Night and The Twelfth. Among the new work I made this year was an aerial sub-project about the aftermath of the bonfires, which helps orient the work away from the specific moment of the events.

Burning the Children's Bonfire

Bonfire Aftermath from Above

Rebuilding in Tōhoku, Japan

Last week I returned from Tōhoku, Japan, where I continued my work on the rebuilding process after the 2011 Tōhoku earthquake, tsunami, and nuclear disaster. I’ll be sharing more photographs in the next few weeks, but here are two favorite rephotography sequences and a building happily back in use in Ishinomaki. The rebuilding process is somehow overwhelmingly fast and slow.

2014, 2016, 2018

2014, 2016, 2018

Two Buildings

SKETCHES FROM ELSEWHERE

Camden, New Jersey

In Camden, New Jersey

Camden, New Jersey to Philadelphia, Pennsylvania

Chicago, Illinois Region

Valentines in Whiting, Indiana

Iced Tree on Lake Michigan

Dublin, Ireland

The Gasworks

Ely, Minnesota

Ely

New Orleans, Louisiana

Ashton Theater

Paris, France Region

Les Espaces d'Abraxas

Philadelphia, Pennsylvania

The Pool at the Row House

Reykjavik, Iceland Region

Icelandic Geothermal Pool

Hallgrimskirkja

Santa Fe, New Mexico

Camera Shop

San Diego, California Region

Solana Beach Transit Center

San Diego County Fair

Seattle, Washington

Oxbow Park

Olive Tower

St. Louis, Missouri

IMG_4606_7

Stockholm, Sweden

IMG_0925

Tokyo, Japan

Tokyo from Above

Isolated Tokyo

To 2019!

After the Eleventh Night Bonfires

Belfast, Northern Ireland’s Troubles are discussed in the past tense. After all, 2018 is the 20th anniversary of the signing of the Good Friday Agreement, and the open war that left more than 3,500 people dead has drawn to a close. But the peace building process is a long one, and commitment to peace is not universal.

Part of my long-running project in the city has been to understand how the peace process is both supported and undermined through place claiming activities, whether for an anti-sectarian youth soccer program or a Loyalist bonfire complete with an effigy of the Pope. Of course, the city’s infamous murals and peace walls demarcate neighborhoods, but so much of the conflict is more ephemeral.

This year I started a new part of the project to explore the duration of these fleeting contributions. After photographing on Eleventh Night, when loyalists burn massive bonfires to commemorate the 17th century battle that ensured the UK’s contemporary hold over Northern Ireland, I returned to the site of the bonfires a couple of days later to photograph what remained.

Below I include several 2018 bonfire images for context and then present selections from my new series. For additional photographs from the project, visit my Belfast, Northern Ireland gallery.

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IMG_9742 IMG_9504
IMG_8637 IMG_9619

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AFTER THE BONFIRES

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

Bonfire Aftermath from Above

A Year of Demolition in Chicago (and Some Travel)

After filling 2010 and 2011 with travel, I changed gears in 2012 to spend most of the year in Chicago working on two local projects.

The first was the Richard H. Driehaus Foundation supported To be Demolished series, in which I photographed 100 buildings threatened with demolition throughout the city. Among my goals for the project was to get a sense of the range of buildings lost, from minor buildings receiving no public attention to those in the limelight. The full series is viewable on Gapers Block, and you can read more about it in this column by Mary Schmich.

To be Demolished Screen Shot

The second Chicago project was the simultaneous undertaking of my dissertation and a documentary film about a group of South Side Chicago residents who are being displaced. I will be posting more about that work within a month; in the meantime, here are a few frames from the film. Update: The film is now online, and I’ve included it above the screenshots.





While the local initiatives kept me busy, I still found time to extend projects in Belfast, Northern Ireland and nine other U.S. cities. I visited Belfast to continue documenting the activities of Eleventh Night and The Twelfth, and most of the U.S. visits were structured around wrapping up the fieldwork component of my collaborative effort with Michael Carriere, which I’ve previously mentioned on the blog and was written up in The Atlantic Cities.

Below I present a selection of photographs from most of those cities, alongside a few more from the Chicago area.

Elsewhere in the Chicago Region

With Train Yard, Fog and Car

In Their Garage

Marktown, Indiana Aerial Looking East

From Across the Street

Belfast, Northern Ireland


Burning the Kids' Bonfire

Building a Bonfire

Buffalo, New York


Towards the New York Central Terminal (Buffalo)

Cincinnati, Ohio


Frank's

Chama, New Mexico


Through the Trees

Cheyenne, Wyoming


In the Parking Lot

Denver, Colorado


Gothic Theater

Detroit, Michigan


Walking in the Morning

Indianapolis, Indiana


Dried Pond, Houses

Milwaukee, Wisconsin


At the B & C Lounge

The Loyalist Bonfires of Belfast, Northern Ireland

Bonfire on the Street

I recently visited Belfast, Northern Ireland to continue documentation of Eleventh Night and The Twelfth, two controversial holidays during which Protestant Loyalists build massive bonfires and parade through city streets. While Loyalists describe the events as “family friendly” cultural activities, doing so ignores their role as expressions of Protestant political power and steadfast support for Northern Ireland’s membership in the United Kingdom. Given Belfast’s ongoing conflict between the Loyalists and the Catholic Republicans who desire a politically united Ireland, the holiday activities operate as claims over the contested city.

While the political nature of the parades is somewhat buried in historical references on banners and the often unspoken lyrics of flute band songs, the bonfires unambiguously express political perspectives. Viewers need not know that the stacked pallet and tire bonfires are references to a 17th century Protestant victory over Catholics to know the political and religious stakes. In most communities, political allegiances are boldly proclaimed through flags, whether through the nearly ubiquitous flying of the Union Jack or the burning of the Irish Republic’s Tricolor, as well as through political slogans such as “KAT” (shorthand for “Kill All Taigs” [Derogatory slang for Irish Catholics]) in more aggressive districts.

As the Troubles fade and the reconciliation process continues, the City Council is attempting to facilitate a transition to a new Eleventh Night model by offering financial incentives to burn wood chip beacons in recognition of the historical victory without burning of flags and tires. Still, most Loyalist communities rebuff the subsidies not only because the beacons are fast burning and less visually stunning but because they fear loss of the tradition and the already waning youth interest in bonfire construction — and, ultimately, the political conflict in general. These communities’ perspective on the issue can be summed up by one 2012 bonfire banner: “Culture Above Cash.” When put in context, the banner could just as easily read “Politics Above Cash.”

The following bonfire photographs are selections from my recent work in Northern Ireland. I will be updating my Belfast series page with some of these images shortly. Many additional images may be viewed on flickr.

Loyalist Bonfire, ASDA

Burning the Kids' Bonfire

Massive Bonfire Through Fence

City Center Bonfire

In the Shankill

Bonfire Near the Westlink

Bonfire in the Village

Watching the Bonfire Burn

Watching the Shankill Bonfire

A Year of Photographing Elsewhere

There’s no question that 2010 was an unprecedented year for my fieldwork. In addition to many Chicago area opportunities, I visited nearly two dozen major U.S. cities and had the opportunity to spend time in Belfast, Northern Ireland during Twelfth Night. Each location allowed for several days in the field, so I’ve amassed quite a collection of photographs.

As a way of getting a handle on that work, I pulled out one favorite photograph from many of the locations I visited. A few were exhibited in my recent work shows at the Op Shop and Everyblock, as well as the “Considering the City” show at Work • Detroit, but one would have to consistently follow my flickr stream to see all of these images — so I thought I should share them here.

Atlanta, Georgia

Walking

Baltimore, Maryland

Perlman Place, Baltimore

Belfast, Northern Ireland

Belfast Loyalist Bonfire Preparation, View #1

Chicago, Illinois

Residential Building, New Lights

Clinton, Iowa

Detroit, Michigan

Lit Sides

Indianapolis, Indiana

Skip's MARKET

Las Vegas, Nevada

Police Raid, Children Walking

Milwaukee, Wisconsin

Running Through the Demolition Site

New Orleans, Louisiana

Davis Mortuary Service, Crescent City Connection

New York City, New York

Metal Recycling, Cooperative Housing, Bronx

Oakland, California

In the Glow

Phoenix, Arizona

Sunnyslope Mountain, Women Talking

San Francisco, California

Repairing

Sparta, Georgia

Hancock County Court

Washington, D.C.

Memorial, Anacostia Public Housing

Watching, Observation

As both a sociologist and a photographer, it’s hard not to think a lot about observation. While I haven’t systematically addressed the topic, I have been slowly acquiring photographs of people quietly focusing their attention on a clear subject when I’m out in the world doing the same thing. I’m particularly intrigued by the relationship between the internal and external action in the scenes. I’ve included a few of those images below.

Watching, Residential Juxtaposition

Watching, Crawford Generating Station

Watching the ABLA Demoltion

Watching the Blaze

Watching, Three Abandoned

Watching the Maneuvering from Above Ardoyne

Watching, Lafayette Building

Belfast on Eleventh Night and the Twelfth

View of Belfast, Burning Bonfires Throughout Protestant Neighborhoods

From July 10-14, I explored Belfast, Northern Ireland with Brian Ashby, Ben Kolak and some extremely helpful Belfast residents.

The weekend is particularly important to the region because of The Twelfth. The Twelfth is a day during which members of the Orange Order, composed of Northern Ireland’s Unionist Protestant population, march throughout the city to celebrate a historical Protestant victory over Catholics (and to achieve some contemporary objectives). Most controversially, they march through the city’s Republican Catholic neighborhoods in that spirit of victory. As one might expect, the marches are not received well in those neighborhoods, particularly given centuries of conflict and the more recent Troubles. As of July 15, riots continue.

The Twelfth is typically preceded by Eleventh Night, on which Unionist Protestants ignite massive bonfires throughout the city for historical and (as is clear in this photo set) very contemporary political reasons. Because the Eleventh Night fell on a Sunday this year, the bonfires were not lit until midnight on the Twelfth. As such, the marches were held just a few hours after the bonfires died down.

I’ve tried to set those events against a backdrop of the physical elements of Belfast that reflect the city’s often starkly segregated social landscape.

A selection of images are below, and you may also see additional images on my official Belfast series page or an unedited selection on flickr.

BBQ 11th 3PM

Unionist Bonfire, Aggressive Statements

"Prepared for Peace, Ready for War"

Burning Unionist Bonfire, Temporarily Boarded Up Homes

Watching the Bonfire Burn, Union Jack

Police Block off a Street in Advance of an Orangemen Parade

"End Sectarian Marches"

Orangemen Parade Marches Through Demonstration

"Peace Wall" Opened to Let Orangemen into a Protestant Neighborhood

Running from the Police Line

The Irish Flag on New Lodge High-rise